Full-colour key light when you want the mood built in camera instead of fixed in the grade.

Bends into places a hard fixture cannot go, and colours the shot without gels.

Hides inside the set for soft fill you can dial from warm to cool on the spot.

A wrapping full-colour source big enough to light a whole person, soft and shapeable.

Large bendable soft light with tunable white - a good key when the space is awkward.

Dependable everyday key for interviews and small sets, warm or cool at a twist.

Practical light you can leave in frame - accents, glow behind a subject, colour pops.

Full-height stripes of colour on a backdrop, or a long practical running through frame.

The reliable hard key most shoots start with - plenty of punch, clean daylight.

Same punch as the 300d, but it matches window light or tungsten without gels.

Cuts through daylight and fills the biggest modifiers when 300W is not enough.

The strongest light in the room, with full colour control for tricky mixed lighting.

One fixture that covers clean white light, saturated colour and effects without a gel bag.